Marcia P. Samuels' Biography
​
 Picture
​
Marcia is a multifaceted writer based in Jamaica, New York, whose work spans playwriting, screenwriting, poetry, and spoken word performance. Her creative endeavors are deeply rooted in themes of spirituality, identity, and social consciousness, often reflecting her Jamaican-American heritage and urban experiences.

​Samuels gained national recognition with her musical Tell Hell I Ain’t Comin’, a thought-provoking production that explores the spiritual journey of a devout man who finds himself in Hell, encountering various characters who share their stories and regrets. The musical has been performed in major cities across the United States, including New York, Los Angeles, Chicago, and Atlanta, and was notably staged at the Kaye Playhouse at Hunter College in 2010 . 

Her repertoire includes a range of stage plays that blend humor and cultural nostalgia, such as Leave Dat Man Alone, Back Home Where De Banana Tree Grows, and Thelma: A Dramatic Stage Play Inspired by a True Story. These works often incorporate Jamaican patois and settings, offering audiences a glimpse into the vibrant life of the Caribbean diaspora in New York. 
In addition to theater, Samuels has ventured into screenwriting, with projects like The Story of Dolls, inspired by a poignant encounter with an elderly woman in a thrift shop, and Six Seconds to a Life Not Lived, which delves into the complexities of human experiences .  
Samuels is also an accomplished poet and spoken word artist. Her podcast, A Grain of Sand, features a collection of her spoken word pieces that address topics such as mental wellness, societal issues, faith, and personal reflections . Through this platform, she continues to engage with audiences, sharing her perspectives and fostering conversations on pressing matters. 
Marcia P. Samuels's body of work is a testament to her commitment to storytelling that resonates with diverse audiences. Her ability to weave narratives that are both culturally specific and universally relatable has solidified her place as a significant voice in contemporary American theater and literature.